Showing Records: 1 - 10 of 19
34th Street Magazine. "Exhibit transcending a showcase, retrospective", circa 1974
Object — Box: 15, Folder: 13
Identifier: MDE_B015_F013_007
Scope and Contents
34th Street Magazine. "Exhibit transcending a showcase, retrospective" by Erika Wallace [copy].
Dates:
circa 1974
"A guided tour through the strange world of 'The Bride Stripped Bare by Her Bachelors, Even'", undated
Object — Box: 2, Folder: 12
Identifier: MDR_B002_F012_001
Scope and Contents
"A guided tour through the strange world of 'The Bride Stripped Bare by Her Bachelors, Even'" by Richard Hamilton [copy].
Dates:
undated
Arts Magazine. "Why Marcel Duchamp's old hat still addresses the situation to the nines", 1985 March
Object — Box: 1, Folder: 4
Identifier: MDR_B001_F004_001
Scope and Contents
Arts Magazine. "Why Marcel Duchamp's old hat still addresses the situation to the nines" by Craig AdCock [copy].
Dates:
1985 March
Excerpt from "Duchamp: A Biography" about Denise Browne Hare, 1996
Object — Box: 6, Folder: 12
Identifier: EDR_B006_F012_001
Scope and Contents
Excerpt from "Duchamp: A Biography" about Denise Browne Hare [photocopy].
Dates:
1996
Independent on Sunday. "Art: not even as good as God", 1997 April 6
Object — Box: 18, Folder: 2
Identifier: MDR_B018_F002_001
Scope and Contents
Independent on Sunday. "Art: not even as good as God" by Peter Conrad. Review of "Duchamp: a biography" by Calvin Tomkins.
Dates:
1997 April 6
Le Figaro. "Marcel Duchamp, l'iconoclaste solitaire", circa 1976-1977
Object — Box: 22, Folder: 27
Identifier: MDE_B022_F027_009
Scope and Contents
Le Figaro. "Marcel Duchamp, l'iconoclaste solitaire" by Pierre Mazars [copy].
Dates:
circa 1976-1977
London Review of Books. "Sounds like Hell to Me", 1997 November-December
Object — Box: 3, Folder: 42
Identifier: MDR_B003_F042_001
Scope and Contents
London Review of Books. "Sounds like hell to me" by Michael Wood. Review of "Duchamp: A Biography" by Calvin Tomkins and "The Complete Works of Marcel Duchamp" by Arturo Schwarz. Includes correspondence from James D. Crawford to Anne d'Harnoncourt.
Dates:
1997 November-December
Found in:
Philadelphia Museum of Art, Library and Archives
/
MDR, Marcel Duchamp Research Collection
/
Writings
/
Published
/
Wood, Michael. "Sounds like Hell to Me." Review of "Duchamp: A Biography" by Calvin Tomkins and "The Complete Works of Marcel Duchamp" by Arturo Schwarz. London Review of Books. Photocopy and associated correspondence
New York Observer. "A pseudo, all in all' a long, happy, peculiar life", 1996 November 18
Object — Box: 1, Folder: 12
Identifier: MDR_B001_F012_001
Scope and Contents
New York Observer. "A pseudo, all in all' a long, happy, peculiar life" by Adam Begley, a review of "Duchamp: a biography" by Calvin Tomkins [copy].
Dates:
1996 November 18
New York Times Book Review. "Art is What You Call It", undated
Object — Box: 3, Folder: 31
Identifier: MDR_B003_F031_001
Scope and Contents
New York Times Book Review. "Art is What You Call It" by Calvin Tomkins [copy]. Review of "Why Duchamp: An Essay on Aesthetic Impact" by Gianfranco Baruchello and Henry Martin.
Dates:
undated
Found in:
Philadelphia Museum of Art, Library and Archives
/
MDR, Marcel Duchamp Research Collection
/
Writings
/
Published
/
Tomkins, Calvin. "Art is What You Call It." Review of "Why Duchamp: An Essay on Aesthetic Impact" by Gianfranco Baruchello and Henry Martin. New York Times Book Review. Photocopy
New York Times Book Review. "Art is What You Call It", undated
Object — Box: 15, Folder: 6
Identifier: MDR_B015_F006_001
Scope and Contents
New York Times Book Review. "Art is What You Call It" by Calvin Tomkins. Review of "Why Duchamp: An Essay on Aesthetic Impact" by Gianfranco Baruchello and Henry Martin.
Dates:
undated
Found in:
Philadelphia Museum of Art, Library and Archives
/
MDR, Marcel Duchamp Research Collection
/
Writings
/
Published
/
Tomkins, Calvin. "Art is What You Call It." Review of "Why Duchamp: An Essay on Aesthetic Impact" by Gianfranco Baruchello and Henry Martin. New York Times Book Review. Photocopy
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